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Performance, cognitive theory, and d...
~
Stevenson, Jill.
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Performance, cognitive theory, and devotional culture = sensual pietyin late medieval York /
Record Type:
Electronic resources : Monograph/item
Title/Author:
Performance, cognitive theory, and devotional culture/ Jill Stevenson.
Reminder of title:
sensual pietyin late medieval York /
Author:
Stevenson, Jill.
Published:
New York, NY :Palgrave Macmillan, : 2010.,
Description:
xii, 264 p. :ill.
[NT 15003449]:
Introduction : devotional modes of becoming in late medieval York --Performance literacy : theorizing medieval devotional seeing -- Material devotion : objects as performance events -- Claimingdevotional space -- Devotion and conceptual blending -- Pious body rhythms -- Empathy,entrainment, and devotional instability -- Coda : medieval sensual piety and a few twenty-first-century religiousrhythms.
Subject:
Christian drama, English (Middle) - History and criticism. - England -
Subject:
York (England) - Religious life and customs. -
Online resource:
http://link.springer.com/10.1057/9780230109070access to fulltext (Palgrave)
ISBN:
0230109071
Performance, cognitive theory, and devotional culture = sensual pietyin late medieval York /
Stevenson, Jill.
Performance, cognitive theory, and devotional culture
sensual pietyin late medieval York /[electronic resource] :Jill Stevenson. - 1st ed. - New York, NY :Palgrave Macmillan,2010. - xii, 264 p. :ill. - Cognitive studies in literature and performance. - Cognitive studies in literature and performance..
Includes bibliographical references and index.
Introduction : devotional modes of becoming in late medieval York --Performance literacy : theorizing medieval devotional seeing -- Material devotion : objects as performance events -- Claimingdevotional space -- Devotion and conceptual blending -- Pious body rhythms -- Empathy,entrainment, and devotional instability -- Coda : medieval sensual piety and a few twenty-first-century religiousrhythms.
In Performance, Cognitive Theory, and Devotional Culture, Jill Stevenson uses cognitive theory to explore the layperson's physical encounter with live religious performances, and to argue that laypeople's interactions with other devotional media - such as books and art objects - may also havefunctioned like performance events. By revealing the remarkable resonance between cognitive scienceand medieval visual theories,Stevenson demonstrates how understanding medieval culture can enrich thestudy of performance generally. She concludes by applying her theories of medieval performance culture to contemporary religious forms, including creationist museums, Hell Houses, and megachurches.
Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2010.
Mode of access:World Wide Web.
ISBN: 0230109071Subjects--Uniform Titles:
York plays.
Subjects--Topical Terms:
1247320
Christian drama, English (Middle)
--History and criticism.--EnglandSubjects--Geographical Terms:
3647278
York (England)
--Religious life and customs.Index Terms--Genre/Form:
542853
Electronic books.
LC Class. No.: PN2596.Y6 / S74 2010
Dewey Class. No.: 792.1/60942843
Performance, cognitive theory, and devotional culture = sensual pietyin late medieval York /
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sensual pietyin late medieval York /
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Jill Stevenson.
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Palgrave Macmillan,
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2010.
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xii, 264 p. :
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ill.
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Cognitive studies in literature and performance
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Includes bibliographical references and index.
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Introduction : devotional modes of becoming in late medieval York --Performance literacy : theorizing medieval devotional seeing -- Material devotion : objects as performance events -- Claimingdevotional space -- Devotion and conceptual blending -- Pious body rhythms -- Empathy,entrainment, and devotional instability -- Coda : medieval sensual piety and a few twenty-first-century religiousrhythms.
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In Performance, Cognitive Theory, and Devotional Culture, Jill Stevenson uses cognitive theory to explore the layperson's physical encounter with live religious performances, and to argue that laypeople's interactions with other devotional media - such as books and art objects - may also havefunctioned like performance events. By revealing the remarkable resonance between cognitive scienceand medieval visual theories,Stevenson demonstrates how understanding medieval culture can enrich thestudy of performance generally. She concludes by applying her theories of medieval performance culture to contemporary religious forms, including creationist museums, Hell Houses, and megachurches.
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Palgrave Macmillan,
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2010.
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access to fulltext (Palgrave)
based on 0 review(s)
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W9097608
電子資源
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EB W9097608
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