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The politics of Romantic theatricali...

Worrall, David.

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The politics of Romantic theatricality, 1787-1832 = the road to the stage /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The politics of Romantic theatricality, 1787-1832/ David Worrall.
其他題名:	the road to the stage /
作者:	Worrall, David.
出版者:	Basingstoke [England] ;Palgrave Macmillan, : 2007.,
面頁冊數:	vi, 266 p.
叢書名:	Palgrave studies in the Enlightenment, romanticism and cultures of print
內容註:	Introduction -- Busby, Burletta, and Barnwell: Music, Stage and Audience -- Dramatic topicality: Robert Merry's The Magician No Conjurer and the 1791 Birmingham Riots -- Blackface and black mask: The BenevolentPlanters versus Harlequin Mungo -- Belles Lettres to Burletta: WilliamHenry Irelandas fortune's fool -- The Libertine Reclaimed: Burletta and the Cockney Presence -- The Royal Amphitheatre and Olympic Tom and Jerry Burlettas -- Moncrieff's Tom and Jerry and its Spin-Offs -- Conclusion: The Canadian Tom and Jerry Murder.
標題:	Music and state - History. - England -
電子資源:	http://link.springer.com/10.1057/9780230801417access to fulltext (Palgrave)
ISBN:	0230801412

The politics of Romantic theatricality, 1787-1832 = the road to the stage /
Worrall, David.

The politics of Romantic theatricality, 1787-1832the road to the stage /[electronic resource] :David Worrall. - Basingstoke [England] ;Palgrave Macmillan,2007. - vi, 266 p. - Palgrave studies in the Enlightenment, romanticism and cultures of print.

Includes bibliographical references (p. 211-256) and index.

Introduction -- Busby, Burletta, and Barnwell: Music, Stage and Audience -- Dramatic topicality: Robert Merry's The Magician No Conjurer and the 1791 Birmingham Riots -- Blackface and black mask: The BenevolentPlanters versus Harlequin Mungo -- Belles Lettres to Burletta: WilliamHenry Irelandas fortune's fool -- The Libertine Reclaimed: Burletta and the Cockney Presence -- The Royal Amphitheatre and Olympic Tom and Jerry Burlettas -- Moncrieff's Tom and Jerry and its Spin-Offs -- Conclusion: The Canadian Tom and Jerry Murder.

This much-needed new study examines the emergence of a distinctive public sphere of drama largely set apart from the royal patent theatres of Covent Garden, Drury Lane and the Haymarket. London's theatrical spaces of the Olympic Theatre, Royal Coburg and Davis's Amphitheatre, alongside a range of urban private theatres on the edge of legality, provided a vibrant contemporary theatricality. The London bakers' apprentices, hackney scribes, shopmen and girls who took to the stage of the minorprivate theatre supplied the cultural context for the attacks on the Cockney school of poetry. Worrall's fascinating glimpse of this hidden world also includes an analysis of the East End Royalty Theatre, where black masked harlequins negotiated conciliatory representations of slavery to accomodatetheir racially diverse audience. A major contribution to our understanding of the theatre of the period, this timely book will be of interest to students and scholars of Romanticism and theatre studies.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 0230801412

Standard No.: 10.1057/9780230801417doiSubjects--Topical Terms:

1082047
Music and state
--History.--EnglandIndex Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: ML1731.3 / .W67 2007eb

Dewey Class. No.: 792.09421/033

The politics of Romantic theatricality, 1787-1832 = the road to the stage /
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520 $a This much-needed new study examines the emergence of a distinctive public sphere of drama largely set apart from the royal patent theatres of Covent Garden, Drury Lane and the Haymarket. London's theatrical spaces of the Olympic Theatre, Royal Coburg and Davis's Amphitheatre, alongside a range of urban private theatres on the edge of legality, provided a vibrant contemporary theatricality. The London bakers' apprentices, hackney scribes, shopmen and girls who took to the stage of the minorprivate theatre supplied the cultural context for the attacks on the Cockney school of poetry. Worrall's fascinating glimpse of this hidden world also includes an analysis of the East End Royalty Theatre, where black masked harlequins negotiated conciliatory representations of slavery to accomodatetheir racially diverse audience. A major contribution to our understanding of the theatre of the period, this timely book will be of interest to students and scholars of Romanticism and theatre studies.
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