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The fallen veil : = a literary and c...
~
Rexer, Raisa,
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The fallen veil : = a literary and cultural history of the photographic nude in nineteenth-century France /
Record Type:
Language materials, printed : Monograph/item
Title/Author:
The fallen veil :/ Raisa Adah Rexer
Reminder of title:
a literary and cultural history of the photographic nude in nineteenth-century France /
Author:
Rexer, Raisa,
Description:
xii, 300 pages :illustrations ;27 cm
Subject:
Literature and photography - History - 19th century - France -
ISBN:
9780812252866
The fallen veil : = a literary and cultural history of the photographic nude in nineteenth-century France /
Rexer, Raisa,
The fallen veil :
a literary and cultural history of the photographic nude in nineteenth-century France /Raisa Adah Rexer - 1st edition - xii, 300 pages :illustrations ;27 cm - Material texts. - Material texts.
Includes bibliographical references and index
The Second Empire --Part I.
"This book offers the first comprehensive overview of the historical development of photographic nude images and their central role in nineteenth-century French culture. The nude photograph generated its own discourse, its own anxieties about society, obscenity, and art. No account of attitudes toward sexuality, the rights of women, the history of censorship, or the history of art in the nineteenth century can be complete without accounting for these photographs. This book necessarily involves the visual analysis of the photographs themselves and their unique patterns of representation. Its focus, however, will not be on the images as much as the narrative about nude photography that emerges out of its inscription-whether through allusion or ekphrasis-into a wide range of nineteenth-century texts, including newspapers, magazines, government records, and fiction and nonfiction books. As it turns out, nude photographs exerted a particularly marked influence on contemporary literary production. In the works of the authors in this study, the photographic nude stands at the nexus of concerns about changing modes of artistic representation, about the limits of art and obscenity and the government's role in setting those limits, and about modern industrial capitalism's effect on both art production on the one hand and sexual mores on the other. Although they worked in text rather than image, these authors felt the shock of this novel way of representing the body. The nude photograph provides a new set of terms by which to reconsider some of the century's most well-known literary figures, including Charles Baudelaire, Émile Zola, and the Goncourt brothers"--
ISBN: 9780812252866
LCCN: 2020022862
Nat. Bib. No.: GBC142008bnbSubjects--Topical Terms:
3499211
Literature and photography
--History--France--19th centuryIndex Terms--Genre/Form:
2020027
Criticism, interpretation, etc.
LC Class. No.: PQ283 / .R48 2021
Dewey Class. No.: 840.9/357
The fallen veil : = a literary and cultural history of the photographic nude in nineteenth-century France /
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The fallen veil :
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a literary and cultural history of the photographic nude in nineteenth-century France /
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Raisa Adah Rexer
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1st edition
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Philadelphia :
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University of Pennsylvania Press,
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[2021]
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xii, 300 pages :
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illustrations ;
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27 cm
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Part I.
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The Second Empire --
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Art, obscenity, and censorship : 1839-1870 --
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Chapter 3 .
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Baudelaire's bodies --
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Chapter 4 .
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Manette Salomon and anti- modernity --
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Part II.
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The Third Republic --
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The rise of an international industry : 1870-1900 --
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Chapter 6 .
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The dangerous streets --
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Chapter 7 .
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Nana in the nude --
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Chapter 8 .
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Maizeroy and the feminist photo-novel --
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Conclusion
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"This book offers the first comprehensive overview of the historical development of photographic nude images and their central role in nineteenth-century French culture. The nude photograph generated its own discourse, its own anxieties about society, obscenity, and art. No account of attitudes toward sexuality, the rights of women, the history of censorship, or the history of art in the nineteenth century can be complete without accounting for these photographs. This book necessarily involves the visual analysis of the photographs themselves and their unique patterns of representation. Its focus, however, will not be on the images as much as the narrative about nude photography that emerges out of its inscription-whether through allusion or ekphrasis-into a wide range of nineteenth-century texts, including newspapers, magazines, government records, and fiction and nonfiction books. As it turns out, nude photographs exerted a particularly marked influence on contemporary literary production. In the works of the authors in this study, the photographic nude stands at the nexus of concerns about changing modes of artistic representation, about the limits of art and obscenity and the government's role in setting those limits, and about modern industrial capitalism's effect on both art production on the one hand and sexual mores on the other. Although they worked in text rather than image, these authors felt the shock of this novel way of representing the body. The nude photograph provides a new set of terms by which to reconsider some of the century's most well-known literary figures, including Charles Baudelaire, Émile Zola, and the Goncourt brothers"--
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3499210
based on 0 review(s)
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