| 內容註: |
The master of colors that know -- Andr歋 Breton's ghostly stance -- Roland Barthes, ghostwriter of modernity -- Mallarm歋's crypts -- Verlaine and Mallarm歋 between the angels and the ghosts of languages -- Broch's Modernity as crime, or, the Sleepwalking of theory -- Beckett and the ghosts of departed quantities -- Shades of the color gray -- Uncoupling modernism -- Conclusion, The "moderns" and their ghosts. |