東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

The perceptual structure of three-di...

Hackett, Paul M.W.

Linked to FindBook

Google Book

Amazon

博客來

The perceptual structure of three-dimensional art

Record Type:	Electronic resources : Monograph/item
Title/Author:	The perceptual structure of three-dimensional art/ by Paul M.W. Hackett.
Author:	Hackett, Paul M.W.
Published:	Cham :Springer International Publishing : : 2017.,
Description:	xxiii, 95 p. :ill., digital ;24 cm.
[NT 15003449]:	Chapter 1: Introduction: Theories of Perceiving Art -- Chapter 2: Facet Theory and the Mapping Sentence -- Chapter 3: A Mereological Model for Perceiving and Understanding Art -- Chapter 4: Conclusions: Future Research.
Contained By:	Springer eBooks
Subject:	Sculpture, Abstract - Philosophy. -
Online resource:	http://dx.doi.org/10.1007/978-3-319-48452-5
ISBN:	9783319484525

The perceptual structure of three-dimensional art
Hackett, Paul M.W.

The perceptual structure of three-dimensional art[electronic resource] /by Paul M.W. Hackett. - Cham :Springer International Publishing :2017. - xxiii, 95 p. :ill., digital ;24 cm. - SpringerBriefs in philosophy,2211-4548. - SpringerBriefs in philosophy..

Chapter 1: Introduction: Theories of Perceiving Art -- Chapter 2: Facet Theory and the Mapping Sentence -- Chapter 3: A Mereological Model for Perceiving and Understanding Art -- Chapter 4: Conclusions: Future Research.

This book deals with philosophical aspects regarding the perception of spatial relationships in two and three-dimensional art. It provides a structural understanding of how art is perceived within the space created by the artwork, and employs a mapping sentence and partial order mereology to model perceptual structure. It reviews the writing of philosophers such as Paul Crowther and art theorists such as Krauss to establish the need for this research. The ontological model established Paul Crowther is used to guide an interactive account of his ontology in the interpretations of the perceptual process of three-dimensional abstract art to allow the formulation of a more comprehensive philosophical account. The book uniquely combines structuralist and post-structuralist approaches to artistic perception and understanding with a conceptual structure from facet theory, which is clarified with the help of a mapping sentence and partial order mereology.

ISBN: 9783319484525

Standard No.: 10.1007/978-3-319-48452-5doiSubjects--Topical Terms:

3220043
Sculpture, Abstract
--Philosophy.

LC Class. No.: NB1135 / .H33 2017

Dewey Class. No.: 730.1

The perceptual structure of three-dimensional art
LDR:02176nmm a2200325 a 4500 001 2089438
003 DE-He213
005 20170724112556.0
006 m d
007 cr nn 008maaau
008 171013s2017 gw s 0 eng d
020 $a 9783319484525 $q (electronic bk.)
020 $a 9783319484501 $q (paper)
024 7 $a 10.1007/978-3-319-48452-5 $2 doi
035 $a 978-3-319-48452-5
040 $a GP $c GP
041 0 $a eng
050 4 $a NB1135 $b .H33 2017
072 7 $a HPN $2 bicssc
072 7 $a PHI001000 $2 bisacsh
082 0 4 $a 730.1 $2 23
090 $a NB1135 $b .H121 2017
100 1 $a Hackett, Paul M.W. $3 2194613
245 1 4 $a The perceptual structure of three-dimensional art $h [electronic resource] / $c by Paul M.W. Hackett.
260 $a Cham : $b Springer International Publishing : $b Imprint: Springer, $c 2017.
300 $a xxiii, 95 p. : $b ill., digital ; $c 24 cm.
490 1 $a SpringerBriefs in philosophy, $x 2211-4548
505 0 $a Chapter 1: Introduction: Theories of Perceiving Art -- Chapter 2: Facet Theory and the Mapping Sentence -- Chapter 3: A Mereological Model for Perceiving and Understanding Art -- Chapter 4: Conclusions: Future Research.
520 $a This book deals with philosophical aspects regarding the perception of spatial relationships in two and three-dimensional art. It provides a structural understanding of how art is perceived within the space created by the artwork, and employs a mapping sentence and partial order mereology to model perceptual structure. It reviews the writing of philosophers such as Paul Crowther and art theorists such as Krauss to establish the need for this research. The ontological model established Paul Crowther is used to guide an interactive account of his ontology in the interpretations of the perceptual process of three-dimensional abstract art to allow the formulation of a more comprehensive philosophical account. The book uniquely combines structuralist and post-structuralist approaches to artistic perception and understanding with a conceptual structure from facet theory, which is clarified with the help of a mapping sentence and partial order mereology.
650 0 $a Sculpture, Abstract $x Philosophy. $3 3220043
650 0 $a Sculpture, Abstract $x Psychological aspects. $3 3220044
650 0 $a Visual perception. $3 529664
650 1 4 $a Philosophy. $3 516511
650 2 4 $a Aesthetics. $3 523036
710 2 $a SpringerLink (Online service) $3 836513
773 0 $t Springer eBooks
830 0 $a SpringerBriefs in philosophy. $3 1568619
856 4 0 $u http://dx.doi.org/10.1007/978-3-319-48452-5
950 $a Religion and Philosophy (Springer-41175)