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Artaud and his doubles

Jannarone, Kimberly.

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Artaud and his doubles

Record Type:	Electronic resources : Monograph/item
Title/Author:	Artaud and his doubles/ Kimberly Jannarone.
Author:	Jannarone, Kimberly.
Published:	Ann Arbor, Mich. :University of Michigan Press, : c2010,
Description:	1 online resource (xiv, 253 p).
Notes:	Issued as part of UPCC book collections on Project MUSE.
[NT 15003449]:	The fight against civilization; or, the rebirth of tragedy. Invocation of the plague : nouveau mal du siecle the residues of war "The future of the world" -- Reactionary modern : the controversions of the counter-enlightenment anywhere out of this world irrational affinities -- Audience, mass, crowd. The avant-garde and the audience : the crisis of bourgeois theater the avant-garde and the audience immersion agitation -- The theater of cruelty and conceptions of the audience -- Theaters for the masses : working on the masses mythical, total, real -- Crowds and cruelty : crowd feeling inthe theater of cruelty the nerve meter -- Visions of power. The artist of the theater : the rise ofthe director artistic power in the Jarry Theater the direction of menace -- Controlling forces : directing The Cenci concentrating control power by charisma -- Conclusion : longing for nothingness.
Subject:	Cruelty in literature. -
Online resource:	http://muse.jhu.edu/books/9780472027941/Full text available:
ISBN:	9780472027941 (electronic bk.)

Artaud and his doubles
Jannarone, Kimberly.

Artaud and his doubles[electronic resource] /Kimberly Jannarone. - Ann Arbor, Mich. :University of Michigan Press,c2010 - 1 online resource (xiv, 253 p). - Theater: theory/text/performance. - Theater--theory/text/performance..

Issued as part of UPCC book collections on Project MUSE.

Includes bibliographical references (p. 233-241) and index.

The fight against civilization; or, the rebirth of tragedy. Invocation of the plague : nouveau mal du siecle the residues of war "The future of the world" -- Reactionary modern : the controversions of the counter-enlightenment anywhere out of this world irrational affinities -- Audience, mass, crowd. The avant-garde and the audience : the crisis of bourgeois theater the avant-garde and the audience immersion agitation -- The theater of cruelty and conceptions of the audience -- Theaters for the masses : working on the masses mythical, total, real -- Crowds and cruelty : crowd feeling inthe theater of cruelty the nerve meter -- Visions of power. The artist of the theater : the rise ofthe director artistic power in the Jarry Theater the direction of menace -- Controlling forces : directing The Cenci concentrating control power by charisma -- Conclusion : longing for nothingness.

This is an unlooked-for project. Like many others, I first saw Artaud through the filters of American experimental theater and post-structuralism. My earliest work on Artaud began from acceptedfamiliar premises, largely established in the 1960s: Artaud as prophet, madman, genius,was the thing to study; his significance lay in his status as an inspirational figure manifesting a largely ahistorical impulse; his denunciation of civilization's discontents implied a progressive critique. My research led me in different directions, however. Fueled by a desire to really read Artaud's works closely especially his early writing and hisproductions--I dug into the archives to research Artaud's theatrical practice.

ISBN: 9780472027941 (electronic bk.)Subjects--Personal Names:

1995828
Artaud, Antonin,
1896-1948--KnowledgeSubjects--Topical Terms:

1995829
Cruelty in literature.
Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PQ2601.R677 / Z685 2010

Dewey Class. No.: 848/.91209

Artaud and his doubles
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300 $a 1 online resource (xiv, 253 p).
490 1 $a Theater: theory/text/performance
500 $a Issued as part of UPCC book collections on Project MUSE.
504 $a Includes bibliographical references (p. 233-241) and index.
505 0 $a The fight against civilization; or, the rebirth of tragedy. Invocation of the plague : nouveau mal du siecle the residues of war "The future of the world" -- Reactionary modern : the controversions of the counter-enlightenment anywhere out of this world irrational affinities -- Audience, mass, crowd. The avant-garde and the audience : the crisis of bourgeois theater the avant-garde and the audience immersion agitation -- The theater of cruelty and conceptions of the audience -- Theaters for the masses : working on the masses mythical, total, real -- Crowds and cruelty : crowd feeling inthe theater of cruelty the nerve meter -- Visions of power. The artist of the theater : the rise ofthe director artistic power in the Jarry Theater the direction of menace -- Controlling forces : directing The Cenci concentrating control power by charisma -- Conclusion : longing for nothingness.
520 $a This is an unlooked-for project. Like many others, I first saw Artaud through the filters of American experimental theater and post-structuralism. My earliest work on Artaud began from acceptedfamiliar premises, largely established in the 1960s: Artaud as prophet, madman, genius,was the thing to study; his significance lay in his status as an inspirational figure manifesting a largely ahistorical impulse; his denunciation of civilization's discontents implied a progressive critique. My research led me in different directions, however. Fueled by a desire to really read Artaud's works closely especially his early writing and hisproductions--I dug into the archives to research Artaud's theatrical practice.
588 $a Description based on print version record. $a Description based on print version record.
588 $a Description based on print version record.
600 1 0 $a Artaud, Antonin, $d 1896-1948 $x Knowledge $x Performing arts. $3 1995828
650 0 $a Cruelty in literature. $3 1995829
650 0 $a Drama $x History and criticism $x Theory, etc. $3 910214
650 0 $a Experimental theater $z France $x History $y 20th century. $3 1995830
655 0 $a Electronic books. $2 lcsh $3 542853
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830 0 $a Theater--theory/text/performance. $3 1986705
856 4 0 $z Full text available: $u http://muse.jhu.edu/books/9780472027941/