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Toward a general theory of acting = ...

Lutterbie, John Harry, (1948-)

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Toward a general theory of acting = cognitive science and performance /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Toward a general theory of acting/ John Lutterbie.
Reminder of title:	cognitive science and performance /
Author:	Lutterbie, John Harry,
Published:	New York :Palgrave Macmillan, : 2011.,
Description:	1 online resource (x, 269 p.)
[NT 15003449]:	The Language of Acting �Theatre and Dynamic Systems Theory �The Actor's Tools �Technique �Improvisation �The Actor's Score �In Performance.
[NT 15003449]:	Machine generated contents note: -- The Language of Acting _Theatre and Dynamic Systems Theory _The Actors Tools _Technique _Improvisation _The Actors Score _In Performance.
Subject:	Acting - Philosophy. -
Online resource:	http://www.palgraveconnect.com/doifinder/10.1057/9780230119468An electronic book accessible through the World Wide Web; click for information
ISBN:	9780230119468 (electronic bk.)

Toward a general theory of acting = cognitive science and performance /
Lutterbie, John Harry,1948-

Toward a general theory of actingcognitive science and performance /[electronic resource] :John Lutterbie. - 1st ed. - New York :Palgrave Macmillan,2011. - 1 online resource (x, 269 p.) - Cognitive studies in literature and performance. - Cognitive studies in literature and performance..

Includes bibliographical references (p. [249]-254) and index.

The Language of Acting *�Theatre and Dynamic Systems Theory *�The Actor's Tools *�Technique *�Improvisation *�The Actor's Score *�In Performance.

Toward a General Theory of Acting explores the actor's art through the lens of Dynamic Systems Theory and recent findings in the Cognitive Sciences. An analysis of different theories of acting in the West from Stanislavski to Lecoq is followed by an in depth discussion of technique, improvisation, and creating a score. In the final chapter, the focus shifts to how these three are interwoven when the actor steps in front of an audience, whether performing realist, non-realist, or postdramatic theatre. Far from using the sciences to reduce acting to a formula, Lutterbie celebrates the mystery of the creative process.

ISBN: 9780230119468 (electronic bk.)

Source: 527084Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

1008773
Acting
--Philosophy.Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PN2061 / .L84 2011

Dewey Class. No.: 792.02/801

Toward a general theory of acting = cognitive science and performance /
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250 $a 1st ed.
260 $a New York : $b Palgrave Macmillan, $c 2011.
300 $a 1 online resource (x, 269 p.)
490 1 $a Cognitive studies in literature and performance
504 $a Includes bibliographical references (p. [249]-254) and index.
505 0 $a The Language of Acting *�Theatre and Dynamic Systems Theory *�The Actor's Tools *�Technique *�Improvisation *�The Actor's Score *�In Performance.
505 8 $a Machine generated contents note: -- The Language of Acting *_Theatre and Dynamic Systems Theory *_The Actors Tools *_Technique *_Improvisation *_The Actors Score *_In Performance.
520 $a Toward a General Theory of Acting explores the actor's art through the lens of Dynamic Systems Theory and recent findings in the Cognitive Sciences. An analysis of different theories of acting in the West from Stanislavski to Lecoq is followed by an in depth discussion of technique, improvisation, and creating a score. In the final chapter, the focus shifts to how these three are interwoven when the actor steps in front of an audience, whether performing realist, non-realist, or postdramatic theatre. Far from using the sciences to reduce acting to a formula, Lutterbie celebrates the mystery of the creative process.
520 $a "Toward a General Theory of Acting explores the actors art through the lens of Dynamic Systems Theory and recent findings in the Cognitive Sciences. An analysis of different theories of acting in the West from Stanislavski to Lecoq is followed by an in depth discussion of technique, improvisation, and creating a score. In the final chapter, the focus shifts to how these three are interwoven when the actor steps in front of an audience, whether performing realist, non-realist, or postdramatic theatre. Far from using the sciences to reduce acting to a formula, Lutterbie celebrates the mystery of the creative process"-- $c Provided by publisher.
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830 0 $a Cognitive studies in literature and performance. $3 1076849
856 4 0 $3 Palgrave Connect $u http://www.palgraveconnect.com/doifinder/10.1057/9780230119468 $z An electronic book accessible through the World Wide Web; click for information
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