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The theatres of Morocco, Algeria and...

Am{macr}in, Kh{macr}alid.

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The theatres of Morocco, Algeria and Tunisia = performance traditions of the Maghreb /

Record Type:	Electronic resources : Monograph/item
Title/Author:	The theatres of Morocco, Algeria and Tunisia/ by Kh{macr}alid Am{macr}in, Marvin Carlson.
Reminder of title:	performance traditions of the Maghreb /
Author:	Am{macr}in, Kh{macr}alid.
other author:	Carlson, Marvin A.,
Published:	Basingstoke :Palgrave Macmillan, : 2012.,
Description:	1 online resource (1 v.) :ill.
[NT 15003449]:	PART I: THE PRE-COLONIAL MAGHREB -- The Roman Maghreb -- Orature -- The Halqa -- Shadow Plays and Costumed Performers -- Carnival and Ritual Performance -- PART II: COLONIAL THEATRE IN THE MAGHREB -- Nineteenth Century European Theatres -- The First Arab Performances -- The Developing Maghreb Stage -- The Theatre of Resistance -- Islam and the Colonial Stage -- From the Second World War to Independence -- PART III: POST COLONIAL THEATRE IN THE MAGHREB -- The Early Theatres of Independence, 1956-1970 -- Developing National Traditions, 1970-1990 -- Entering a New Century, 1990-2010.
Subject:	Theater - Africa, North. -
Online resource:	http://link.springer.com/10.1057/9780230358515An electronic book accessible through the World Wide Web; click for information
ISBN:	9780230358515 (electronic bk.)

The theatres of Morocco, Algeria and Tunisia = performance traditions of the Maghreb /
Am{macr}in, Kh{macr}alid.

The theatres of Morocco, Algeria and Tunisiaperformance traditions of the Maghreb /[electronic resource] :by Kh{macr}alid Am{macr}in, Marvin Carlson. - Basingstoke :Palgrave Macmillan,2012. - 1 online resource (1 v.) :ill. - Studies in international performance.

Includes bibliographical references and index.

PART I: THE PRE-COLONIAL MAGHREB -- The Roman Maghreb -- Orature -- The Halqa -- Shadow Plays and Costumed Performers -- Carnival and Ritual Performance -- PART II: COLONIAL THEATRE IN THE MAGHREB -- Nineteenth Century European Theatres -- The First Arab Performances -- The Developing Maghreb Stage -- The Theatre of Resistance -- Islam and the Colonial Stage -- From the Second World War to Independence -- PART III: POST COLONIAL THEATRE IN THE MAGHREB -- The Early Theatres of Independence, 1956-1970 -- Developing National Traditions, 1970-1990 -- Entering a New Century, 1990-2010.

Traditionally, Western theatre studies was concerned almost entirely with Europe and the United States. During the late twentieth century this interest expanded to include other important traditions in Asia, sub-Saharan Africa, and Latin America, but the Arab world remained largely unexplored by theatre scholars, mistakenly assuming a monolithic Islamic opposition to such expression. In recent years this prejudice has begun to fade and significant studies of this region, so central to modern global concerns, have begun to appear. So far, these have primarily considered Middle Eastern theatre. Theatre and performance in the Maghreb (Algeria, Tunisia, and Morocco) still remain largely unexplored even by Arab scholars, although all three of these nations have produced major modern theatre artists and provide rich and fascinating case studies of the negations between tradition and modernity within the modern post-colonial and global culture. This book provides the first detailed analysis of their contributions.

ISBN: 9780230358515 (electronic bk.)

Source: 471798Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

1601507
Theater
--Africa, North.Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PN2969 / .A45 2012

Dewey Class. No.: 792.0961

The theatres of Morocco, Algeria and Tunisia = performance traditions of the Maghreb /
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245 1 4 $a The theatres of Morocco, Algeria and Tunisia $h [electronic resource] : $b performance traditions of the Maghreb / $c by Kh{macr}alid Am{macr}in, Marvin Carlson.
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300 $a 1 online resource (1 v.) : $b ill.
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505 0 $a PART I: THE PRE-COLONIAL MAGHREB -- The Roman Maghreb -- Orature -- The Halqa -- Shadow Plays and Costumed Performers -- Carnival and Ritual Performance -- PART II: COLONIAL THEATRE IN THE MAGHREB -- Nineteenth Century European Theatres -- The First Arab Performances -- The Developing Maghreb Stage -- The Theatre of Resistance -- Islam and the Colonial Stage -- From the Second World War to Independence -- PART III: POST COLONIAL THEATRE IN THE MAGHREB -- The Early Theatres of Independence, 1956-1970 -- Developing National Traditions, 1970-1990 -- Entering a New Century, 1990-2010.
520 $a Traditionally, Western theatre studies was concerned almost entirely with Europe and the United States. During the late twentieth century this interest expanded to include other important traditions in Asia, sub-Saharan Africa, and Latin America, but the Arab world remained largely unexplored by theatre scholars, mistakenly assuming a monolithic Islamic opposition to such expression. In recent years this prejudice has begun to fade and significant studies of this region, so central to modern global concerns, have begun to appear. So far, these have primarily considered Middle Eastern theatre. Theatre and performance in the Maghreb (Algeria, Tunisia, and Morocco) still remain largely unexplored even by Arab scholars, although all three of these nations have produced major modern theatre artists and provide rich and fascinating case studies of the negations between tradition and modernity within the modern post-colonial and global culture. This book provides the first detailed analysis of their contributions.
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