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The spectral metaphor : = living gho...

Peeren, Esther,

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The spectral metaphor : = living ghosts and the agency of invisibility /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The spectral metaphor :/ Esther Peeren.
其他題名:	living ghosts and the agency of invisibility /
作者:	Peeren, Esther,
面頁冊數:	1 online resource.
內容註:	Introduction: The Spectral Metaphor -- 1. Forms of Invisibility: Undocumented Migrant Workers as Living Ghosts in Stephen Frears's "Dirty Pretty Things" and Nick Broomfield's "Ghosts" -- 2. Spectral Servants and Haunting Hospitalities: "Upstairs, Downstairs", "Gosford Park" and" Babel" -- 3. Spooky Mediums and the Redistribution of the Sensible: Sarah Waters's "Affinity" and Hilary Mantel's "Beyond Black " -- 4. Ghosts of the Missing: Multidirectional Haunting and Self-Spectralization in Ian McEwan's "The Child in Time" and Bret Easton Ellis's "Lunar Park" -- Afterword: How to Survive as a Living Ghost?.
標題:	Marginality, Social, in literature. -
電子資源:	http://link.springer.com/10.1057/9781137375858
ISBN:	113737585X (electronic bk.)

The spectral metaphor : = living ghosts and the agency of invisibility /
Peeren, Esther,

The spectral metaphor :living ghosts and the agency of invisibility /Esther Peeren. - 1 online resource.

Includes bibliographical references and index.

Introduction: The Spectral Metaphor -- 1. Forms of Invisibility: Undocumented Migrant Workers as Living Ghosts in Stephen Frears's "Dirty Pretty Things" and Nick Broomfield's "Ghosts" -- 2. Spectral Servants and Haunting Hospitalities: "Upstairs, Downstairs", "Gosford Park" and" Babel" -- 3. Spooky Mediums and the Redistribution of the Sensible: Sarah Waters's "Affinity" and Hilary Mantel's "Beyond Black " -- 4. Ghosts of the Missing: Multidirectional Haunting and Self-Spectralization in Ian McEwan's "The Child in Time" and Bret Easton Ellis's "Lunar Park" -- Afterword: How to Survive as a Living Ghost?.

What does it mean to live as a ghost? Exploring spectrality as a potent metaphor in the contemporary British and American cultural imagination, Peeren proposes that certain subjects -- migrants, servants, mediums and missing persons -- are perceived as living ghosts and examines how this impacts on their ability to develop agency. From detailed readings of films (Stephen Frears's "Dirty Pretty Things", Nick Broomfield's "Ghosts" and Robert Altman's "Gosford Park"), a television series ("Upstairs, Downstairs") and novels (Hilary Mantel's "Beyond Black", Sarah Waters's "Affinity", Ian McEwan's "The Child in Time" and Bret Easton Ellis's "Lunar Park") emerges an inventive account of how the spectral metaphor, in its association with various modes of invisibility, can signify both dispossession and empowerment. In reworking the spectral insights of, among others, Jacques Derrida, Antonio Negri and Achille Mbembe, Peeren suggests new responses to the practices of marginalization and exploitation that characterize our globalized world.

ISBN: 113737585X (electronic bk.)

Source: 708984Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

618326
Marginality, Social, in literature.
Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: HM1136

Dewey Class. No.: 302.5/45

The spectral metaphor : = living ghosts and the agency of invisibility /
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504 $a Includes bibliographical references and index.
505 0 $a Introduction: The Spectral Metaphor -- 1. Forms of Invisibility: Undocumented Migrant Workers as Living Ghosts in Stephen Frears's "Dirty Pretty Things" and Nick Broomfield's "Ghosts" -- 2. Spectral Servants and Haunting Hospitalities: "Upstairs, Downstairs", "Gosford Park" and" Babel" -- 3. Spooky Mediums and the Redistribution of the Sensible: Sarah Waters's "Affinity" and Hilary Mantel's "Beyond Black " -- 4. Ghosts of the Missing: Multidirectional Haunting and Self-Spectralization in Ian McEwan's "The Child in Time" and Bret Easton Ellis's "Lunar Park" -- Afterword: How to Survive as a Living Ghost?.
520 $a What does it mean to live as a ghost? Exploring spectrality as a potent metaphor in the contemporary British and American cultural imagination, Peeren proposes that certain subjects -- migrants, servants, mediums and missing persons -- are perceived as living ghosts and examines how this impacts on their ability to develop agency. From detailed readings of films (Stephen Frears's "Dirty Pretty Things", Nick Broomfield's "Ghosts" and Robert Altman's "Gosford Park"), a television series ("Upstairs, Downstairs") and novels (Hilary Mantel's "Beyond Black", Sarah Waters's "Affinity", Ian McEwan's "The Child in Time" and Bret Easton Ellis's "Lunar Park") emerges an inventive account of how the spectral metaphor, in its association with various modes of invisibility, can signify both dispossession and empowerment. In reworking the spectral insights of, among others, Jacques Derrida, Antonio Negri and Achille Mbembe, Peeren suggests new responses to the practices of marginalization and exploitation that characterize our globalized world.
588 $a Description based on publisher supplied information; title not viewed.
650 0 $a Marginality, Social, in literature. $3 618326
650 0 $a Marginality, Social, in motion pictures. $3 2078223
650 0 $a Marginality, Social. $3 532764
655 7 $a Electronic books. $2 lcsh $3 542853
710 2 $a Palgrave Connect (Online service) $3 1081578
856 4 0 $3 Palgrave Connect $u http://link.springer.com/10.1057/9781137375858