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Russia and its other(s) on film = sc...

Russia (Federation)

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Russia and its other(s) on film = screening intercultural dialogue /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Russia and its other(s) on film/ edited by Stephen Hutchings.
Reminder of title:	screening intercultural dialogue /
other author:	Hutchings, Stephen C.
Published:	Basingstoke [England] ;Palgrave Macmillan, : 2008.,
Description:	xiv, 242 p.
Series:	Studies in Central and Eastern Europe
[NT 15003449]:	Scant sign of thaw : fear and anxiety in the representation of foreigners in the Soviet filmsof the Khrushchev years / Julian Graffy -- 'The Italians are coming!' Italy and the 'other' in Soviet cinema/ DavidGillespie -- In the cuckoo's nest : from a postcolonial wondertale to a post-authoritarian parable / Mark Lipovetsky -- Sokurov's Russian ark: reflections on the Russia/Europe theme/Isabelle de Keghel -- The new American other in post-Soviet Russian cinema / Seth Graham -- Lost intranslation? Early Soviet sound film abroad / Jeremy Hicks -- Cinema thinking the unthinkable : Cold War film and the non-reality of Russia/ Irina Sandomirskaia -- Bilingualism, miscegenation and incest in East/West and Indochine : Russia's place in the French postcolonial imagination / Stephen Hutchings -- Through the 'other' lens? Russians on the global screen/ Birgit Beumers -- Russian maritalmigrants in contemporary film / Karin Sarsenov -- Angle, avenger or trickster? The 'second-worldman'as the other and the self / Mark Lipovetsky and Daniil Leiderman.
Subject:	Motion pictures - Russia (Federation) -
Subject:	Russia (Federation) - In motion pictures. -
Online resource:	http://link.springer.com/10.1057/9780230582781access to fulltext (Palgrave)
ISBN:	0230582788

Russia and its other(s) on film = screening intercultural dialogue /
Russia and its other(s) on filmscreening intercultural dialogue /[electronic resource] :edited by Stephen Hutchings. - Basingstoke [England] ;Palgrave Macmillan,2008. - xiv, 242 p. - Studies in Central and Eastern Europe.

Includes bibliographical references (p. 226-232) and index.

Scant sign of thaw : fear and anxiety in the representation of foreigners in the Soviet filmsof the Khrushchev years / Julian Graffy -- 'The Italians are coming!' Italy and the 'other' in Soviet cinema/ DavidGillespie -- In the cuckoo's nest : from a postcolonial wondertale to a post-authoritarian parable / Mark Lipovetsky -- Sokurov's Russian ark: reflections on the Russia/Europe theme/Isabelle de Keghel -- The new American other in post-Soviet Russian cinema / Seth Graham -- Lost intranslation? Early Soviet sound film abroad / Jeremy Hicks -- Cinema thinking the unthinkable : Cold War film and the non-reality of Russia/ Irina Sandomirskaia -- Bilingualism, miscegenation and incest in East/West and Indochine : Russia's place in the French postcolonial imagination / Stephen Hutchings -- Through the 'other' lens? Russians on the global screen/ Birgit Beumers -- Russian maritalmigrants in contemporary film / Karin Sarsenov -- Angle, avenger or trickster? The 'second-worldman'as the other and the self / Mark Lipovetsky and Daniil Leiderman.

Russia's interactions with the West have been a perennial theme of Slavic Studies, and of Russian culture and politics. Likewise, representations of Russia have shaped the identities of many western cultures. No longer providing the b1 sEvil Empire b2 s of 20th American popular consciousness, images of Russia have more recently bifurcated along two streams: that of the impoverished refugeeand that of the sinister mafia gang. Focusing on film as an engine of intercultural communication, this is the first book to explore mutual perceptions of the foreign Other in the cinema of Russia andthe West during, and after, communism. The book's structure reflects both sides of this fascinatingdialogue: Part 1 covers Russian/Soviet cinematic representations of otherness, and Part 2 treats western representations of Russia and the Soviet Union. An extensive Introduction sets the dialogue ina theoretical context. The contributors include leading film scholars from the USA, Europe and Russia.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 0230582788

Standard No.: 10.1057/9780230582781doiSubjects--Topical Terms:

1082454
Motion pictures
--Russia (Federation)Subjects--Geographical Terms:

1082456
Russia (Federation)
--In motion pictures.Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PN1993.5.R9 / R83 2008eb

Dewey Class. No.: 791.430947

Russia and its other(s) on film = screening intercultural dialogue /
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245 0 0 $a Russia and its other(s) on film $h [electronic resource] : $b screening intercultural dialogue / $c edited by Stephen Hutchings.
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300 $a xiv, 242 p.
440 0 $a Studies in Central and Eastern Europe
504 $a Includes bibliographical references (p. 226-232) and index.
505 0 $a Scant sign of thaw : fear and anxiety in the representation of foreigners in the Soviet filmsof the Khrushchev years / Julian Graffy -- 'The Italians are coming!' Italy and the 'other' in Soviet cinema/ DavidGillespie -- In the cuckoo's nest : from a postcolonial wondertale to a post-authoritarian parable / Mark Lipovetsky -- Sokurov's Russian ark: reflections on the Russia/Europe theme/Isabelle de Keghel -- The new American other in post-Soviet Russian cinema / Seth Graham -- Lost intranslation? Early Soviet sound film abroad / Jeremy Hicks -- Cinema thinking the unthinkable : Cold War film and the non-reality of Russia/ Irina Sandomirskaia -- Bilingualism, miscegenation and incest in East/West and Indochine : Russia's place in the French postcolonial imagination / Stephen Hutchings -- Through the 'other' lens? Russians on the global screen/ Birgit Beumers -- Russian maritalmigrants in contemporary film / Karin Sarsenov -- Angle, avenger or trickster? The 'second-worldman'as the other and the self / Mark Lipovetsky and Daniil Leiderman.
520 $a Russia's interactions with the West have been a perennial theme of Slavic Studies, and of Russian culture and politics. Likewise, representations of Russia have shaped the identities of many western cultures. No longer providing the b1 sEvil Empire b2 s of 20th American popular consciousness, images of Russia have more recently bifurcated along two streams: that of the impoverished refugeeand that of the sinister mafia gang. Focusing on film as an engine of intercultural communication, this is the first book to explore mutual perceptions of the foreign Other in the cinema of Russia andthe West during, and after, communism. The book's structure reflects both sides of this fascinatingdialogue: Part 1 covers Russian/Soviet cinematic representations of otherness, and Part 2 treats western representations of Russia and the Soviet Union. An extensive Introduction sets the dialogue ina theoretical context. The contributors include leading film scholars from the USA, Europe and Russia.
533 $a Electronic reproduction. $b Basingstoke, England : $c Palgrave Macmillan, $d 2009. $n Mode of access:World Wide Web. $n System requirements: Web browser. $n Title from title screen (viewed on Mar. 3, 2009). $n Access may berestricted to users at subscribing institutions.
650 0 $a Motion pictures $z Russia (Federation) $3 1082454
650 0 $a Outsiders in motion pictures. $3 1082455
651 0 $a Russia (Federation) $x In motion pictures. $3 1082456
655 7 $a Electronic books. $2 lcsh $3 542853
700 1 $a Hutchings, Stephen C. $3 1082453
710 2 $a Palgrave Connect (Online service) $3 1081578
856 4 0 $3 Palgrave Connect $u http://link.springer.com/10.1057/9780230582781 $z access to fulltext (Palgrave)