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Portraying the self: Life and liter...
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Gomez-Joines, Constanza.
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Portraying the self: Life and literature in selected poems by Gloria Fuertes, Anne Sexton, and Olga Orozco (Spain, Argentina).
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Portraying the self: Life and literature in selected poems by Gloria Fuertes, Anne Sexton, and Olga Orozco (Spain, Argentina)./
作者:
Gomez-Joines, Constanza.
面頁冊數:
155 p.
附註:
Source: Dissertation Abstracts International, Volume: 63-03, Section: A, page: 0931.
Contained By:
Dissertation Abstracts International63-03A.
標題:
Literature, Comparative. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3046995
ISBN:
0493609687
Portraying the self: Life and literature in selected poems by Gloria Fuertes, Anne Sexton, and Olga Orozco (Spain, Argentina).
Gomez-Joines, Constanza.
Portraying the self: Life and literature in selected poems by Gloria Fuertes, Anne Sexton, and Olga Orozco (Spain, Argentina).
- 155 p.
Source: Dissertation Abstracts International, Volume: 63-03, Section: A, page: 0931.
Thesis (Ph.D.)--The University of North Carolina at Chapel Hill, 2002.
In the last few decades, the genre of autobiography has been discussed extensively; the literary self-portrait, however, has not received the same critical attention. This study aims to balance this oversight by exploring the poetry of Fuertes, Sexton, and Orozco from the perspective of the self-portrait.
ISBN: 0493609687Subjects--Topical Terms:
530051
Literature, Comparative.
Portraying the self: Life and literature in selected poems by Gloria Fuertes, Anne Sexton, and Olga Orozco (Spain, Argentina).
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Source: Dissertation Abstracts International, Volume: 63-03, Section: A, page: 0931.
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Adviser: Maria A. Salgado.
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Thesis (Ph.D.)--The University of North Carolina at Chapel Hill, 2002.
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In the last few decades, the genre of autobiography has been discussed extensively; the literary self-portrait, however, has not received the same critical attention. This study aims to balance this oversight by exploring the poetry of Fuertes, Sexton, and Orozco from the perspective of the self-portrait.
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I begin with an exploration of the critical literature on the literary self-portrait, and use the definition of Michel Beaujour, as modified by Maria A. Salgado, as a point of departure. Each chapter is dedicated to one author and applies the definitions of the genre to their respective poems.
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Chapter one studies selected poems of Gloria Fuertes (Spain, 1918--1998). It begins by situating her work in relation to literary tradition in order to understand better the manner in which she appropriates a series of literary techniques that revolve around the genres of personal literature. Throughout, the chapter explores poems that point to a destabilization of pre-established norms and ideals, and to a decentralization of the literary self.
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Chapter two concentrates on the poetry of Anne Sexton (United States, 1928--1974). The chapter begins with an exploration of the poetic act as a means for the attainment of self-definition. It studies poems that represent the literary self in different guises, but always in relation to a male other. Sexton's self-portrait is constructed within a twentieth-century ideology that traps bourgeois women in a real or imagined patriarchal system of social polarization.
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Chapter three studies Olga Orozco (Argentina, 1920--1999). It first explores her poetry in relation to her precursors in order to establish the poetic act as a means for the attainment of transcendental unity. The chapter concentrates on poems that eventually highlight a literary self that is very different from those of Fuertes and Sexton.
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My comparison of the works of these three women authors provides a representative cross-section of different modalities of poetic self-portraits among twentieth-century women poets.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3046995
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